Lena Machado – Hollywood Days

Lena Machado – Hollywood Days

In an era in Hawai`i when it was not yet culturally acceptable for women to be professional entertainers, where did one find their role models? We have already discussed one trend-settingwahine who defied cultural norms of the period to publicly engage in singing and songwriting – Helen Desha Beamer. But there was also Lizzie Alohikea, an accomplished songwriter and singer with the Royal Hawaiian Band. It had long been Lena’s wish to sing with Lizzie,…

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Lena Machado – The Early Years

Lena Machado – The Early Years

Lena Kaulumau Wai`ale`ale was born in the district of Pauoa in Honolulu on the island of O`ahu on October 16, 1903. The last of five children, Lena was hānai (a Hawaiian tradition in which a child is unofficially adopted and raised by close family or friends of the birth parents) to the Loo Pan family, friends of Lena’s mother. So young Lena was immersed in a household where English, Hawaiian, and Chinese were spoken. As…

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Helen Desha Beamer Gets “Da Caz” Treatment

I could choose almost any composer in the history of Hawaiian music and turn around and immediately think of a Brothers Cazimero recording of one – or more – of that composer’s songs. Not surprising given Robert and Roland’s longevity in the Hawaiian music “biz” – 40 years if we begin counting with Sunday Manoa, closer to 50 years if we count their extracurricular activity performing with their parents’ band when they were still very…

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Helen Desha Beamer – The Composer Sings

10In an earlier post about Helen Desha Beamer the composer, I made only a passing mention of Helen Desha Beamer the singer. She was, in fact, an accomplished soprano, and this was evident in many of her compositions which require a tremendously wide vocal range to sing. Helen possessed such a range and a clear, pure tone to match, and it is for this reason that Charles E. King personally selected Helen to make the first…

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More from the Helen Desha Beamer Songbook

Let’s continue to explore the innumerable compositions from the pen of the prolific Helen Desha Beamer… Click here to listen to this set of Helen Desha Beamer compositions while you continue to read. The set opens with the unmistakable voice of Marlene Sai singing “Pu`uwa`awa`a,” a song Helen wrote for Mrs. Hannah Hind and her home at Pihanakalani. Like the Brown family of which Auntie Helen also wrote, the Hind Family was known for their…

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Helen Desha Beamer – Grande Dame of Hawai`i

One dictionary defines “grande dame” as “a woman of influential position within a particular sphere.” In the history of Hawaiian culture, one could name many grande dame. Surely Mary Kawena Puku`i, Alice Namakelua, Lena Machado, Genoa Keawe, and Haunani Apoliona come to mind. And then there is Helen Desha Beamer. According to Hawaiian music historian George Kanahele in an earlier edition of his seminal work on Hawaiian music, Hawaiian Music and Musicians, the Beamer family…

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Hawai`i’s Champagne Lady

Hawai`i’s Champagne Lady

Much to my surprise and delight, much has already been written about singer Myra English. She is one of the few Hawaiian entertainers of the 1960s and 70s to have a Wikipedia page. But, sadly, the nicest piece on the “Champagne Lady” was her obituary from The Maui News on her passing in 2001. Because you can read about English – the woman, the mother, the grandmother, and the entertainer – elsewhere, I would like to…

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The “Lost” Mona Joy Album

The “Lost” Mona Joy Album

Ho`olohe Hou continues to honor the musicians of the Hawaiian Room – the New York City venue which for nearly 30 years delivered authentic Hawaiian song and dance to exceedingly appreciative mainland audiences. Researching the musicians who made the Lexington Hotel’s Hawaiian Room famous across the country and around the world has led to the unraveling of one mystery after another. But it also leads back to an unsolved mystery which – for me –…

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In Hawai`i, The Story Starts

In Hawai`i, The Story Starts

Ho`olohe Hou continues to honor the musicians of the Hawaiian Room – the New York City venue which for nearly 30 years delivered authentic Hawaiian song and dance to exceedingly appreciative mainland audiences. And after all the mysteries we have endured – and perhaps solved – about the gentlemen of the Lexington Hotel’s Hawaiian Room, perhaps the greatest mystery of them all is the one most likely to be solved: The mystery of the lone…

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Dual Steel Guitars in the Hawaiian Room?

Dual Steel Guitars in the Hawaiian Room?

Ho`olohe Hou continues to honor the musicians of the Hawaiian Room – the New York City venue which for nearly 30 years delivered authentic Hawaiian song and dance to exceedingly appreciative mainland audiences. Our investigation into the Lani McIntire aggregation’s tenure in the Hawaiian Room has so far led us to believe that he worked this room – in various combinations – from 1938 until 1951. And we have made tremendous use of the discographical…

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